In “Basterds,” a group of Jewish soldiers plus a Jewish woman set out to destroy Nazis all by themselves in major, consequential differences from actual history. Online, you play eight battle maps in team death match, team objective, and speed-team objective.īut here are two other parallels between “Inglourious Basterds” and “Wolfenstein.”ġ) Both the game and the movie exist in alternative history. Can you stop them?Īs a shooting game, “Wolfenstein” is very good, featuring great guns that fire in excellently mapped-out alleys, buildings and caves of a fictional European town of Isenstadt. The Nazis are trying to harness that magical Black Sun to rule the world. Second, you push a button on a magical medallion to slip into a fourth dimension to see Nazis better and vaporize them with plasma-type guns. First, in a “Call of Duty”-esque manner, you shoot Nazis with machine guns, sniper rifles and hand grenades. Tarantino clearly is asking you that question, and I think about that question whenever I gleefully kill 60 Nazis per hour in the new World War II game “Wolfenstein,” which plays as a sort of unofficial and unrelated companion piece to the movie. But if you applaud the intense killing of people, even Nazis, does that make you similarly bloodthirsty by proxy? As a viewer, you want to cheer Nazi deaths, because Nazi Germany performed evil. As a viewer, you think, “I hate Nazis.”īut the film also includes scenes where Allieds gun down Nazis one by one. In “Inglourious Basterds,” a group of Nazi-era Germans cheers the brutal deaths of Allied soldiers as they get gunned down one by one. There’s a startling moral symmetry in the new Quentin Tarantino movie about Nazis.
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